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Distant Worlds VI: more music from FINAL FANTASY

by Distant Worlds: music from FINAL FANTASY

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about

Recorded in October 28th & 30th 2022 at the famed Dvořák Hall of the Rudolfinum in Prague (Czech Republic) and at AWR Music Studio in Chicago (USA), the Distant Worlds Philharmonic Orchestra and Chorus, under the direction of GRAMMY Award-winning conductor Arnie Roth, delivers the precision and richness that are hallmarks of this monumental series of recordings. Distant Worlds VI is recorded in high resolution at 96khz/24bit.

credits

released September 1, 2023

Music composed by:
Nobuo Uematsu (tracks 1,2,3,4,6,7,9,10,11,12,13,14,15,17)
Masashi Hamauzu (track 5)
Naoshi Mizuta (track 8)
Mitsuto Suzuki (track 16)
Nozomi Toki (track 16)

Executive producer: Arnie Roth
Music director, conductor and producer: Arnie Roth
Associate music director: Eric Roth

Orchestral arrangements by:
Guy Bernfeld, Kenichiro Fukui, Shiro Hamaguchi, Masashi Hamauzu, Natsumi Kameoka, Yohei Kobayashi, Kengo Tokusashi, Sachiko Miyano, Naoshi Mizuta, Hiroyuki Nakayama, Tsutomu Narita, Yasumasa Satoh, Yoshitaka Suzuki, Reiko Takano

Performed by:
FILMharmonic Orchestra Prague and
Distant Worlds Philharmonic Choir

Recorded at The Dvořák Hall, Rudolfinum, Prague, Czech Republic
October 28 & 30, 2022
Enginee:r Oldřich Slezák
Assistant engineers: Čenda Kotzmann, Jan Krček, Ivan Zbíral
Recording manager and contractor: Petr Pýcha

Eyes On Me soloist (track 10): Susan Calloway

Additional percussion and timpani recorded at AWR Music Studio, Chicago, IL | February and April 2023
Percussion by: Jeffrey Handley and Brandon Podjacek
Timpani by: Robert Everson
Recording engineer: Mathew Prock

Edited, mixed, and mastered by Mathew Prock at AWR Music Studio, Chicago, IL

Photographers:
Julien Chazeaubenit, Andrew Gomez, Manaswin Kamolwat, Natalie Keune, Martina Kritznerová, Kevin Leighton, Marcy Roth, Benoit Rugraff

AWR production team:
Laura Adkins, Leanne Araya, Eliza Bangert, Sally Hausken, Fritz Hocking, Chris Opperman, Lisa Roth, Marcy Roth

Special thanks to:
Nobuo Uematsu and Dog Ear Records, composers Masashi Hamauzu, Naoshi Mizuta, Mitsuto Suzuki, Nozomi Toki, Prague’s beautiful Rudolfinum, Petr Pýcha, Associate Music Director Eric Roth, engineer extraordinaire Mathew Prock, choir director Lisa Arnold, all of our friends at SQUARE ENIX, all of my colleagues at AWR Music Productions, and especially my wife, Marcy, for her unfailing support.

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